Tasty Snacks of Imagination: UNPACKED visual archive
These ambiguities, redundances, and deficiences recall those attributed by Dr. Franz Kuhn to a certain Chinese encyclopedia entitled Celestial Emporium of Benevolent Knowledge. On those remote pages it is written that animals are divided into (a) those that belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) suckling pigs, (e) mermaids, (f) fabulous ones, (g) stray dogs, (h) those that are included in this classification, (i) those that tremble as if they were mad, (j) innumerable ones, (k) those drawn with a very fine camel’s hair brush, (l) others, (m) those that have just broken a flower vase, (n) those that resemble flies from a distance.
from “El idioma analítico de John Wilkins” by J. L. Borges
In every enumeration there are two contradictory temptations. The first is to list everything, the second is to forget something. The first would like to close off the question once and for all, the second leave it open. Thus, between the exhaustive and the incomplete, enumeration seems to me to be, before all thought (and before all classification), the very proof of that need to name and to bring togheter without which the world(“life”) would lack any points of reference for us. There are things that are different yet also have a certain similarity; they can be brought togheter in series within which it will be possible to distinguish them.
From: Penser/Classer (Think/Classify): V. The ineffable joys of enumeration, in Le Genre Humane (1982) by Geoges Perec
In basic design we trust | in disobedience we teach | in solidarity we live
What UNPACKED is an agile and fresh Office supporting a wide range of creative activities. Mainly is a common ground for speculations over cross-fertilizing projects involving diverse disciplines including art, architecture, urban planning, photography, design, business innovation, teaching, communication and more.
Mission UNPACKED unveils the opportunities hidden into the folds of obvious and banal, through architectures, installations, exhibitions, performances, workshops, various experiments of communication and relational design, instant and spontaneous playgrounds, experments inbetween digital and analog.
The office based in Rome started in January 2005 thanks to the Young Entrepreneurs European funds “Sviluppo Italia” and is currently driven by Daniele Mancini and Irene Rinaldi, both architects and educators
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